Muchas veces se habla sobre el gran vacío que, como compositor, sientes después de finalizar un proyecto largo como es la grabación de un disco o la composición de una obra.
Es el pánico al papel en blanco, y tienes miedo de que nunca más vuelvas a tener ideas para empezar de nuevo.
Pues bien, yo he sentido las dos cosas: el vacío y el pánico después de «Retratos del Mar» y quiero compartir con vosotros la pequeña semilla que ha conseguido vencer a los dos.
Tardará años, meses, semanas en crecer…. no lo sé, pero es el principio de un largo y apasionante camino musical que me llena de ilusión.
Aquí están las dos primeras páginas de mi nueva obra original que estoy escribiendo para Ensemble XXI. (pdf)

Often it is spoken on the great emptiness that, like composer, you feel after finalizing a long project as it is the recording of a disc or the composition of a work.
It is the panic to the paper in white, and you are scared of never more you return to have ideas to begin again.
Then, I have felt the two things: the emptiness and the panic after “Pictures of the Sea” and I want to share with you the small seed that has been able to win to both.
It will take years, months, weeks in growing…. I do not know it, but it is the principle of a length and exciting musical way that fills to me of illusion.
Here are the firts two pages of my new original work that I am writing for Ensemble XXI.(pdf)
It is the panic to the paper in white, and you are scared of never more you return to have ideas to begin again.
Then, I have felt the two things: the emptiness and the panic after “Pictures of the Sea” and I want to share with you the small seed that has been able to win to both.
It will take years, months, weeks in growing…. I do not know it, but it is the principle of a length and exciting musical way that fills to me of illusion.
Here are the firts two pages of my new original work that I am writing for Ensemble XXI.(pdf)